Handcrafted by rehabstudio, NataschaStolle.com is more than just an online lookbook, it is a reflection of her cool, kooky design philosophy, with a nod to her awkward teen muses.

Natascha Stolle won the inaugural rehabstudio Design Award in collaboration with Fashion East and her prize was to have a bespoke website created by rehabstudio.

The homepage opens with on an Americana-style prom scene, but the smooching couples and sea of meringue ball gowns have been replaced with Natascha’s troupe of unamused geek chic girls.  The scene is dimmed and you can move the spotlight over each of the girls, who then pose, shrug their shoulders or check their watch.  The models were sketched in 2D, dressed in key pieces from Natascha’s past collections10 collection and shot on video.

The black and white sketches were produced by renowned illustrator Charlotte Mann and brought to life by rehabstudio’s digital creatives, bringing animation with the user’s mouse movements.

Natascha said: “By combining the cut and paste approach of Charlotte Mann’s signature black line illustrations of girls wearing my clothes, with the humorous and highly personal environment that rehabstudio have creatively animated for the girls to inhabit, they have engineered a website unlike any I have ever seen before and I can’t wait for everyone else to see it!”

Although the design is really sophisticated, the website is easy to navigate, with everything you could hope to find – past and present collections, press coverage, latest news, international stockists, a bio and contact info.

American designer Natascha Stolle studied English Literature at university before moving to London and gaining a placement with Peter Jensen, with whom she stayed for 10 years.  After graduating from Central St Martin’s Fashion Design M.A course in 2008, she was snapped up by Fashion East founder Lulu Kennedy and in September 2008 her debut SS09 collection was showcased at London Fashion Week.

Natascha has worked with Asos on an exclusive collection of luxe jersey, chiffon wide-leg trousers and bangle detail leather gloves, and has consulted for b Store.  She also exhibited as part of NEWGEN at London Fashion Week, in Somerset House’s East Wing.

Her Autumn/Winter 10-11 grey marl, jersey, twisted chiffon leggings, knotted jersey, slouchy tailoring, rainbow smudge prints, and funnily enough, studded mules – perhap’s they’ll be next season’s clogs!

The self-taught South-African designer’s monochrome A/W 10-11 collection, ‘Pilgrims’ was inspired by modern Aztec spirituality, Inca temples and religious rituals.  The delicate ruffles and bright colours of previous seasons have been replaced with a strong, sleek and forceful interpretation of femininity.

The first section showed long, draped dresses with cut-away panels, ‘primitive’ pleats and faux layering – all in a palette of black.  With plunging necklines and major leg splits, the dresses take on an unusual ‘seductive Puritan’ image.

Then came short, knife-pleat tunics with sequinned snoods and the most covetable, luxurious chunky knit, hooded coat (labelling it a cardigan seems like a big understatement).  Some dresses were shadowed with veils of black tulle, giving the impression of a dark, serious bride.

The next phase was all about cream with pristine, linear wool coats adored with sumptuous feathers.  Kimmie combined the ‘pilgrim’ influence with 60s minimalism, showing sober, sculptural dresses with long sleeves and luxurious draping.

The monochrome styling added to the dramatic effect, with the designer adding black cotton or sheer white tights and bare legs to transform the look.  The models’ hair was scraped back into a plaited bun (another ‘primitive’ reference) and the make-up was all about heavy, black eyes, flawless skin and nude lips.

The finale saw a model in an intricately embellished silk and tulle bridal dress, carrying….a baby!!  I know there’s been a lot of raised eyebrows over press and buyers bringing their kids to London Fashion Week, but this tiny tot actually made its way onto the catwalk.

Carried royally in a bespoke white leather harness, the baby was blissfully unfazed by the tribal drum music and stern-looking models, and seemed to be having a jolly old time.

Unless Jacob Kimmie is answering a calling for designing baby wear, which I very much doubt, I’d say that the presence of le bébé is rather a statement on concepts of pre-marital purity and religious ritual.  This was probably lost on most of the crowd, as everyone seemed elated to see such a little cutie pie on the catwalk…and why not?

One of the most striking parts of the collection was the laser-cut leather masks and necklaces.  Jacob Kimmie collaborated with leather artist, Ginta Siceva on the accessories and her incredible designs were on display at the LFW exhibition in Somerset House. Leather gloves were supplied by Aspinals of London and after the show, everyone was talking about those chunky knit arm warmers!

Jacob Kimmie’s work seems to be getting more conceptual and his A/W 10-11 collection has a much stronger impact than past seasons.  It really is an exceptional collection, as it is simultaneously aggressive and romantic, striking and unified.

Kimmie has simplified certain aspects like colour and ornamentation and concentrated on texture and precision tailoring.  By becoming more focused, his garments have adopted a new sophistication and significance.

All photos: JacobKimmie.com

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